Add to Calendar
ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.
TO ACCESS PRESALE TICKETS, CLICK ON "TICKETS" AND ENTER THE PASSWORD ON "ENTER PROMO CODE"
With her new album, Shine Bright, Ball set out to, in her words, “Make the best Marcia Ball record I could make.” In doing so, she has put together the most musically substantial, hopeful and uplifting set of songs of her five-decade career. Produced by Steve Berlin (Los Lobos) and recorded in Texas and Louisiana, Shine Bright contains twelve songs (including nine originals), ranging from the title track’s rousing appeal for public and private acts of courage to the upbeat call to action of Pots And Pans, a song inspired by renowned Texas political writer and humorist Molly Ivins. From the humorous advice of Life Of The Party to the poignantly optimistic World Full Of Love, the intensity of Ball’s conviction never wavers while, simultaneously, the fun never stops. Shine Bright is exactly the album Ball set out to make. “It is a ridiculously hopeful, cheerful record,” she says, in light of some of the album’s more serious subject matter. The secret, according to Ball “is to set the political songs to a good dance beat.”
Born in Orange, Texas in 1949 to a family whose female members all played piano, Ball grew up in the small town of Vinton, Louisiana, right across the border from Texas. She began taking piano lessons at age five, playing old Tin Pan Alley and popular music tunes from her grandmother’s collection. But it wasn’t until she was 13 that Marcia discovered the power of soul music. One day in New Orleans in 1962, she sat amazed as Irma Thomas delivered the most spirited and moving performance the young teenager had ever seen. A few years later she attended Louisiana State University, where she played some of her very first gigs with a blues-based rock band called Gum.
In 1970, Ball set out for San Francisco. Her car broke down in Austin, and while waiting for repairs she fell in love with the city and decided to stay. It wasn’t long before she was performing in local clubs with a progressive country band called Freda And The Firedogs, while beginning to sharpen her songwriting skills. It was around this time that she delved deeply into the music of the great New Orleans piano players, especially Professor Longhair. “Once I found out about Professor Longhair,” recalls Ball, “I knew I had found my direction.”
When Freda And The Firedogs broke up in 1974, Ball launched her solo career, playing clubs around Austin, Houston and Louisiana. She signed with Capitol Records in 1978, debuting with the country-rock album Circuit Queen. Creating and honing her own sound, she released six critically acclaimed titles on the Rounder label during the 1980s and 1990s. In 1990, Ball-collaborating with Angela Strehli and Lou Ann Barton-recorded the hugely successful Dreams Come True on the Antone’s label. At the end of 1997, Marcia finished work on a similar “three divas of the blues” project for Rounder, this time in the distinguished company of Tracy Nelson and her longtime inspiration, Irma Thomas. The CD, Sing It!, was released in 1998 and was nominated for a Grammy Award.
Marcia Ball has appeared many times on national television over the years, including the PBS special In Performance At The White House along with B.B. King and Della Reese, Austin City Limits and HBO’s Treme. She performed in Piano Blues, the film directed by Clint Eastwood included in Martin Scorsese’s The Blues series which aired on PBS television nationwide in 2003. Marcia also appeared on The Late Show With David Letterman with The New Orleans Social Club, where she not only reached millions of people, but also helped to benefit victims of Hurricane Katrina. In 2012, she had a role in the independent film Angels Sing starring Harry Connick, Jr., Lyle Lovett and Willie Nelson. In 2017 she performed on NPR’s A Jazz Piano Christmas, live from The Kennedy Center in Washington, D.C.
Ball joined Alligator in 2001 with the release of the critically acclaimed Presumed Innocent. The CD won the 2002 Blues Music Award for Blues Album Of The Year. Her follow-up, So Many Rivers, was nominated for a Grammy Award, and won the 2004 Blues Music Award for Contemporary Blues Album Of The Year as well as the coveted Contemporary Blues Female Artist Of The Year award. Her next release, Live! Down The Road, released in 2005, also garnered a Grammy nomination, as did 2008’s Peace, Love & BBQ (the album debuted at #1 on the Billboard Blues Chart). 2010’s Grammy-nominated Roadside Attractions and 2014’s The Tattooed Lady And The Alligator Man successfully grew her fan base even further. Altogether she holds ten Blues Music Awards, ten Living Blues Awards, and five Grammy Award nominations. She has been inducted into both the Gulf Coast Music Hall Of Fame and the Louisiana Music Hall Of Fame. The Texas State legislature named her the official 2018 Texas State Musician. As her hometown Austin Chronicle says, “What’s not to like about Marcia Ball?”
Since joining Alligator, Ball has blossomed as a songwriter. Each album has been filled with fresh, original songs, never more so than on Shine Bright. Ball easily draws her listeners deep into her music with instantly memorable melodies and imaginative imagery. Her songs paint vibrant musical pictures richly detailed with recognizable characters, regional flavors, universal themes and colorful scenes, both real and imagined. Living Blues declares, “Her originals sound like timeless classics and southern soul masterpieces that no one else can imitate.”
Now, with Shine Bright, Ball’s new, aggressively hopeful songs are energized by Steve Berlin’s inventive and exciting production, creating electrifying music that is daring, inspired, poignant and timely. The Boston Globe calls Ball “a compelling storyteller” who plays “an irresistible, celebratory blend of rollicking, two-fisted New Orleans piano, Louisiana swamp rock and smoldering Texas blues.”
Of course, Ball will bring the party on the road, playing her new songs and old favorites for fans around the globe. “I still love the feel of the wheels rolling,” she says, “and the energy in a room full of people ready to go wherever it is we take them.” With both her new album and her legendary live performances, Marcia Ball will shine a light into the darkness, making the world a brighter place one song at a time.
After a dozen acclaimed albums, virtuoso slide guitarist and bandleader Sonny Landreth found himself at an artistic crossroads. He wanted to finally create the full length acoustic collection his fans had long requested. But he was also itching to capture the sound of his stalwart electric trio augmented by a couple of his favorite collaborators. And the time was certainly right for an elastic, career spanning double live album.
So Landreth and his longtime friends decided to do it all. 'Recorded Live in Lafayette' is a 16 song opus that covers more musical ground than any single album ever could, as the singer and songwriter's work stretches and twists across 93 minutes of full band acoustic and electric bottleneck lightning.
Landreth has collaborated with the very top names in guitar over the years: Eric Clapton, Mark Knopfler, Eric Johnson, Derek Trucks, the list goes on. The noted slideman cut his musical teeth in The Red Hot Louisiana Band of zydeco king Clifton Chenier, and Landreth has since recorded and toured with artists ranging from John Mayall to John Hiatt.
'Recorded Live in Lafayette' adds another major chapter to his tale, as new vocal and instrumental colors emerge.
3017 SE Milwaukie Ave.
Portland, OR, 97202